PlaylistsThe After-Hours Playlist, Vol. III
Sade. Solange. A little Erykah. The records I draft to.
The Journal
Essays, playlists, and notes scribbled between drafts. Vogue meets velvet.

Featured · Writing
There's a difference between erotic and explicit. The first leaves room for the reader.
I learned to write desire the way a jazz pianist learns to leave space — by trusting the silence to do half the work. The point of a love scene is not what is shown; it is what is felt next.
"I write at 11:47 p.m. because that is when I stop translating myself — and start telling the truth."
— C.J. Noir
The Archive
8 entries
PlaylistsSade. Solange. A little Erykah. The records I draft to.
Behind the ScenesSome cities are settings. This one is a character.
CharactersA character study of the woman at the center of Ombré Desires.
Black FemininityWe were never the décor. We were always the building.
SensualityTension is a building. You don't rush a building.
PublishingWhat no one tells you about getting a debut into the world.
Late NightA late-night dispatch from the desk.
Soft LifeOn rest as resistance, and the small luxuries of Sunday.
Subscribe to The Journal
One letter a week. Sometimes a playlist. Always a sentence worth saving.